Join us at NAMM 2019

We're bringing the Dynaudio Unheard studio to the NAMM show in Anaheim, California and giving exciting new artists the chance to record their music and get exposure on a global scale.

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This is your opportunity to be heard. You'll get to perform – and record – live in the Dynaudio Unheard studio, right in the middle of the Grand Plaza area at NAMM 2019. Submit your band or yourself through the form below.

How we choose between entries
We'll listen to every entry we receive. Then a jury consisting of key Dynaudio staff, together with a group of music industry professionals, will select at least eight artists who will get to go in the studio.

 

Right to use

Everything you record in our Dynaudio Unheard studio is yours to keep. Your live session is filmed, there'll be photography, we'll do interviews. It's yours and you can use it just as you see fit.

In return, Dynaudio is allowed to use the recorded music, photos, film and interview for Dynaudio Unheard purposes, which can mean posts on Facebook, videos on YouTube, event films, and other types of content on other communication platforms.

If you have questions, please contact us at hello@dynaudio.com.

 

 

Terms and conditions

To participate you have to have at least four original songs to play – covers and interpretations aren’t allowed. And because the studio space is limited in size, we can't fit more than six of you in there.

The NAMM show kicks off on January 24th 2019 and ends on January 27th, which means you'll have to be available during that time period.

Finally, while we'll cover the cost of your recording (and all the assets you get from it), we can't cover your personal expenses. You'll have to pay for your own travel, accommodation, food and so on.

The submission period ends Thursday Dec 20 2018 at 11.59pm CET and we'll start reviewing entries the following day.

 

 

The entry period is over

Thank you for all entries! The deadline for applying was Thursday December 20th at 23.59 CET, and we're now closed for sign-ups.

 

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